And then yesterday was the closing night of Spamalot, for which Dave and I had second-row tickets. Spamalot is Monty Python's touring broadway musical, and was more or less an extended, song-and-dance-added version of Monty Python and the Holy Grail. Some songs were longer versions of the old and familiar ("We're Knights of the Round Table" and "Brave Sir Robin (Bravely Ran Away)"), and others were wholly new ("This Is The Song That Goes Like This"). The ending was altered to make more sense than the film version, and even included some audience participation. It was also the only musical I've ever attended which ends with an audience singalong. Overall, it was a lot of fun.
Personally, I was not as keen about Spamalot as I was for Wicked, which was another touring Broadway musical we saw back in August. Wicked is a prequel to The Wizard of Oz, back when the Wicked Witch of the West and Glinda, the Good Witch were boarding school room-mates. It starts out like a musical version of Mean Girls and ends up as a slowly unravelling conspiracy, spearheaded by the Wizard himself. While Spamalot was good, Wicked was spectacular.
In fact, Wicked was so good that it inspired me to name my new bass guitar Elphie, after Elphaba, the Wicked Witch of the West. (But more on her later -- suffice to say, we'll be seeing more of her at parties.) ;-)